newstraining

Skills for journalists in print and digital media

Long form narrative critiques available

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A group of editors and writers versed in long-form narrative writing have formed a panel at the Nieman Storyboard to offer critiques and instruction on narrative pieces. Their first critique went up today, on The Real Lesson of the Tucson Tragedy, the Time magazine piece by David Von Drehle that followed the shooting of  Rep. Gabrielle Giffords in Tucson.

Given there are eight on the panel, the amount of feedback can be overwhelming. One feels for the writer and editor behind the package. On the other hand, myriad points of view allow for some triangulation, which can be a good thing when dealing with nuances of art. Points repeated or seconded as the critique unfolds may be the place to start for readers looking for clear steps in their own work.

Storyboard editor Andrea Pitzer must have felt the same way about the group’s first effort when it came to volume. She added this final note, responding to a point raised by panel member Jacqui Banaszynski:

Pondering the Roundtable approach, Jacqui Banaszynski notes that there are pluses and minuses to so many editors putting their fingerprints on a story. This kind of scrutiny is always a little unfair, as it can never take into account all the time and reporting pressures that happen in real life or the demands incumbent on a given newspaper or magazine. Our hope, however, is that seeing each editor’s take will help readers think about how stories work and ways to make them as good as possible.

Nieman Storyboard is part of the Nieman Foundation at Harvard’s growing online arm, and is devoted to the art of storytelling in all mediums.

 

 

 

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Written by mroberts8

02/01/2011 at 6:39 pm

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